Monuments
The described treasure consists of 265 silver coins dated for years 1604-1623. Some of the coins were collected by the king Zygmunt III Wizards. The only exception is the Saxon Thaler of Krystian II created in 1604. The rest of the treasure are coins created somewhere in the Kingdom of Poland. On the heads of the coins is the emblem of Kingdom of Poland - the White Eagle and emblem of Lithuania - Pogonia, as well as coat of arms of the Waza royal family.
Read more: COIN - PÓŁTORAKI KORONNE ZYGMUNTA III WAZY - 1623 r.
The described treasure consists of 265 silver coins dated for years 1604-1623. Some of the coins were collected by the king Zygmunt III Wizards. The only exception is the Saxon Thaler of Krystian II created in 1604. The rest of the treasure are coins created somewhere in the Kingdom of Poland. On the heads of the coins is the emblem of Kingdom of Poland - the White Eagle and emblem of Lithuania - Pogonia, as well as coat of arms of the Waza royal family.
A pair of confessionals in the Church situated in the left and right nave. The confessionals are placed symmetrically opposite each other, facing frontally the central axis of the church. In 2001, Pope John Paul II consecrated the church to the Minor Basilica. The altar is free-standing, behind the altar in the background a chancel is located.
Confessionals were made in the middle of the nineteenth century, they are in the neo-baroque style. The height of the confessionals is almost 2.5 metres. They are made of wood, a massive oak type. The altars are located in a small side transept at the back of the Minor Basilica.
Above each confessional there is a painting depicting the Way of the Cross station. The confessionals are in a good condition, painted with clear varnish.
The statue is located in the museum under the chapel.The exposition is located in the lower tier of the castle church built in the 14th century. The upper tier (rebuilt several times) is the chapel of the Holy Mother of Kębło. The museum was established in 1995 on the initiative of the Board of the Society of Friends of Wąwolnica and the contemporary parish priest Jan Pęzioł.
The statue depicting an unknown saint. The statue is carved in wood and it belongs to the Baroque style.
The figure "en pied", which means from French "to the feet". It is one of the four main shots in the art showing a full-figure representation in a standing position.
The statue is located in the museum under the chapel.The exposition is located in the lower tier of the castle church built in the 14th century. The upper tier (rebuilt several times) is the chapel of the Holy Mother of Kębło. The museum was established in 1995 on the initiative of the Board of the Society of Friends of Wąwolnica and the contemporary parish priest Jan Pęzioł.
The statue depicting an unknown saint. The statue is carved in wood and it belongs to the Baroque style.
The right leg is bent in the knee, the torso and arms are bent to the right. Head raised up, face with beard and long moustache. Long hair pulled over the left shoulder. A dress up to the feet, with gording. On the left shoulder, a fragment of the coat, turned forward on the side of the left and hung on the loop of the belt. The bottom surface of the coat is chiseled into stripes. Traces of polychrome in the ivory colour. The statue belongs to a pair of altar statues stored in the local museum.
The pyx is located in the museum below the chapel. The exposition is located in the lower tier of the castle church built in the 14th century. The upper tier (rebuilt several times) is the chapel of the Holy Mother of Kębło.
The base of the pyx is circular, wavy and covered with multileafed regenerative ornaments. Nodus or decorative thickening on the corpus is pear-shaped, like a vase. Semicircular cap. The cover has a narrowing. Comparavit (...) Anno dn. 1735' is engraved in the bottom of the lid. The edge of the base is surrounded by a stripe of locks. The pedestal is squab, segmented, decorated with a tape broken regeneratively alternating with seashells.
The top of the base with a wavy multi-leafed edge, covered with ornamentation of the tape broken regeneratively. Among the tape motifs of acanthus and campanula leaves. The top of the base is conical and ends with a lambrekin band. The lower part of the nodus is decorated with strips of lock, the upper part with palm trees. The bottom of the cap is decorated with a tape broken regeneratively. Among the straps there is a garland of flowers and leaves. The centre of the cap is surrounded by a wreath of laurel leaves, with a smooth stripe above the wreath. The cover in the lower part is domed and trimmed with a volute-floral motif and a stripe of locks on the top, under the narrowing.
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